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Raguel is lurking.
He has a purpose, more or less, beyond staring at the lights high above in the devil's tower. He does come here just for recreation occasionally; he knows Rosse's office, after all - knows from the outside which window is hidden behind the solid-looking hologram. Sometimes he catches them as they tumble out of it, screaming, flailing for the safety of solid brick. Objects in space. The ones that fall alone are luckier, of course. He should know.
But there are other reasons for being here: business, not recreation. It just so happens that the alleyway beside Rosse's ridiculously large and ostentatious (to Raguel, anyway) building is usually crawling with leads. Maybe because it's very difficult to get to the transports without going through the alley. You'd have to go three blocks to avoid it, and time is always of the essence when someone leaves Rosse's office. Besides, shortcuts are so tempting.
He fancies himself as really pretty good at this lurking thing. Black blends well with the many shadows, and it's a chilly evening. Perfect.
He has a purpose, more or less, beyond staring at the lights high above in the devil's tower. He does come here just for recreation occasionally; he knows Rosse's office, after all - knows from the outside which window is hidden behind the solid-looking hologram. Sometimes he catches them as they tumble out of it, screaming, flailing for the safety of solid brick. Objects in space. The ones that fall alone are luckier, of course. He should know.
But there are other reasons for being here: business, not recreation. It just so happens that the alleyway beside Rosse's ridiculously large and ostentatious (to Raguel, anyway) building is usually crawling with leads. Maybe because it's very difficult to get to the transports without going through the alley. You'd have to go three blocks to avoid it, and time is always of the essence when someone leaves Rosse's office. Besides, shortcuts are so tempting.
He fancies himself as really pretty good at this lurking thing. Black blends well with the many shadows, and it's a chilly evening. Perfect.
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Politics.
When he got a phone call from Senator Fred Atwood late last night, therefore, he acted as fast as he could, doing the only thing he knew to do (and it doesn't count as a betrayal; Rosse wouldn't mind seeing Tam gone, either, so it's all right), which was to make contact and set up a personal appointment for the relaying of extremely sensitive information.
Extremely valuable information, too.
The meeting is over, though, and Carson flips up the collar on his coat as he turns down the alley -- best not to be seen.
(He has no idea that he resembles a bad cliché.)
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"You know, everybody's got Tam on the brain these days," Raguel muses, stepping out into view.
"Tam, Tam. Tam-tam. Like a gong. Wakes you up, get it?"
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"No," Carson says. Blusters. "I'm armed. I'm warning you -- I'm armed."
Blusters; bluffs, too.
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"Nothing quite like a good fistfight. But you can use weapons if you want," he adds generously. And then, out of nowhere:
"You've been talking to Nicolas."
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"I'm -- I have no idea who you're talking about. Now get out of my way, I have somewhere to be -- " Carson makes to push past the man.
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"Goodness," he murmurs at Carson's ear, less than an inch away. "You could at least buy me dinner first."
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The last word twists up.
"You don't have any idea what you're doing -- "
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"Why don't you fill me in?" he suggests.
"Tam-tam."
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"You're a lunatic," Carson says, making to pull away. "I had business in that building, on the -- on the fourteenth floor, not that it's any of your business, and -- "
As though struck by a sudden epiphany, Carson's words come out in a rush. "Somebody's waiting for me, and if I'm not there in five minutes they're going to tell the authorities. And they have a trace on me. So let me go and I won't have you arrested."
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"You'd really like to be sitting in the big chair again. I mean, really really. Kinda selfish, don't you think?"
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Hal Carson thinks he knows the answer to that question.
And just like that, Hal Carson is convinced he's going to die, right here, right now. Or in the next twenty minutes or so.
"You don't know anything about it -- "
They're not going to get anything on him. Nothing for later. Even if there isn't going to be a later.
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He sounds honestly curious. He shifts to take Carson by both shoulders - better for conversation, of course.
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"I don't know what you think you're talking about, sir, but that's enough -- let me go, or I'll -- I'll -- "
The alleyway is, of course, dark.
There is, of course, nobody around.
" -- let me go!"
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"Maybe. Not yet. You're wriggly."
One hand flashes out, hits Carson in the face - hard enough to leave a bruise, but not yet hard enough to scar.
"Look, pal," he says reasonably. "You're not part of my job here. But justice is gonna be served one way or the other. I can make you a part of my job if you want, but I think you don't want." He grins.
"If you told Rosse, you can tell me. I like to research these things myself."
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The kind of man, in other words, that Atwood had in mind.
"And you call this justice." He's obviously trying for wariness. It comes out as petulance.
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"Justice comes later. This is just the warm-up lap, round and around. Round and around. You've already tucked your tail under for Rosse, I can tell. Talk to me and you can go."
Well, he certainly seems sincere.
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What you see in this business isn't always what you get.
Low, and fast, Carson says (or pleads), "You have to understand -- anything I might know -- there are cameras everywhere, no reason to think we're not being watched, it's not safe."
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"Or... actually, you don't know, do you?" He looks gleefully up at the window high above.
"Probably a reason for that." And with no further warning he unfurls wide, dark wings, grabs Carson around the waist, and takes off at an astounding speed.
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Right now, Hal Carson is screaming. And wriggling.
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"Nobody home," Raguel says, glancing in. "Call again, please." And he lets go.
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The wind stings his eyes, though, and he squinches them shut, arms windmilling.
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"There we go," Raguel's voice says, setting him down gently. "Wasn't that fun? Aren't you ready to have a nice conversation and some coffee?" He looks pointedly around the alleyway.
"Without the coffee, I guess. There's just no point without sugar, is there?" he rambles.
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And he's going to fall. It's just a matter of time.
After a long moment:
"Not here," he says, hoarsely.
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"Yes. Here," he says firmly. "Where are you so anxious to go, anyway?"
He hasn't bothered to hide his wings away; rustling feathers tower over both of them, blotting out the stars.
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Clearly he hit his head, and he doesn't remember doing it.
"Somewhere we can't be heard."
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"And if we are, it's by the type who would find out anyway, anywhere you'd choose to go. So you can drop that pretty chrome mask you're trying to keep on, along with all those ambitious lies you're making up, and start talking. Now."
He says it casually enough. He leans against the wall and crosses his arms, pleasantly attentive.
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"You know who it's about."
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How to put this.
" -- people who believe that he's -- "
Not outlived his usefulness.
" -- worn out his welcome in his current position."
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"I don't think that's quite all of it. I don't think that's close to all of it. For that you could just hire a cleaning crew and shake out the dirt."
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None that Carson and all his campaign were able to dig up. None since, Atwood says.
" -- otherwise it wouldn't have gotten this far, don't you see?"
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"No dirt." He laughs, but there's no humor in his face.
"Provoking the leaders of a known militant revolutionary cult. Stockpiling and providing weapons for a system-wide war - publicly."
He takes a few steps away from the wall, staring around the alley as though it's full of rapt spectators and he needs to make eye contact with every one.
"Maybe public, my friends, is the problem. Public doesn't see what's staring it in the face. Not that all of it is public. Not mentioning his various associations with mercenary figures and other illegal... illicit... ill-advised... activities."
He's very close to Carson now, but not looking at him directly.
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Carson is speaking to Raguel's shoes.
"It's inevitable."
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Nods.
"You've been tapped?"
He'll be good at it.
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"Can't pretend you didn't guess," he adds eventually, chucking Carson lightly under the chin.
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"Are we done?" Cold, and a little high-pitched.
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"Bored?" he asks, picks up Carson by way of a fist in the man's jacket, and tosses him into the wall of Rosse's building.
"Don't believe you were finished."
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He stops short before saying kill me; best not to give him ideas.
"Please -- "
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He kicks his way through the alley detritus to where Carson is slumped. Garbage and scrap metal clatters and bangs across the asphalt in front of him. Several pieces narrowly miss Carson's head.
"You didn't finish."
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"Finish -- what else do you need to know?"
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"So far all we've talked about is confirmations of old information. C'mon, tell me something I don't know."
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"He's going to be in an open area. Soon. There's some -- thing -- for the Family and Life Support Center, and he's giving the keynote. Outdoors."
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"Now where's the challenge," he asks, "if you're just going to fold like that?"
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"I want to leave. Alive." Petulant.
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He reaches a hand down to the man, presumably to help him to his feet.
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"See you around, pal," he says at last, and gives Carson a smacking kiss on the cheek.
There's a flash of bright, reddish light.
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One minute later, Hal Carson blinks, and looks around.
Nobody's there.
Which would make sense, really; nobody was in the alley when he came this way. But it's not wise to linger in the shadows, even on Londinium, where there are eyes everywhere.
He picks himself up, dusts himself off, and goes home.