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Crowley has been surprisingly charitable for most of the time spent in Raguel's new apartment - criticizing everything, of course, but only in the most general way. He pronounces it barely habitable, which Raguel takes to mean that he's done a decent job. And if the shower (and by necessity, the bathroom) has slightly larger dimensions when Crowley walks out of it than when he walked in, Raguel doesn't mention it.
It's late afternoon when they step out into the hallway and furtively climb the ladder to the roof. It's not much of a view, but the sunlight through dry air casts sharp shadows that make the grunge a little harder to see.
"You don't think anyone will notice us, with the sun still up?" Raguel asks, a little nervously.
It's late afternoon when they step out into the hallway and furtively climb the ladder to the roof. It's not much of a view, but the sunlight through dry air casts sharp shadows that make the grunge a little harder to see.
"You don't think anyone will notice us, with the sun still up?" Raguel asks, a little nervously.
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The question trails away quickly, though, as Crowley realises that he might not actually want to know.
(And besides, if it doesn't go fast, what's the point?)
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"Whatever I can find that no one else wants. Abandoned cars, usually. Trucks. Once an 18-wheeler with only six wheels. They usually need a little help getting started, but they get me there okay."
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He approves of the stealing part, certainly - or at least, the sort-of-stealing part. But really, abandoned cars?
(This is all rather transparently legible on his face.)
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"Well, usually. When I can."
And when they're worth returning, which isn't actually very often.
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"Fair play," he says, lowering his hand and looking down at his fingers, remembering the feel of melting leather underneath, then of steel: red, then white-hot, and finally chipping, corroded black.
(On black, on black.)
"It's not always a picnic, driving cars that aren't in any shape to be driven."
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Ever since the Incident, Crowley's become (if possible) even more protective of his beloved Bentley; the persistent image of what might happen with Raguel in the driver's seat, rattling towards the desert, makes him blanch slightly.
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"They only lose pieces because they were going to lose them, anyway. It's not like I pried them off with a crowbar."
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"So, since we're not driving," he says firmly, "lead the way."
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"Uh." He turns around to face the sun, then turns again. At last he settles on a direction and fans his wings out.
"If carrying the bag throws me off balance, I'll try not to run into you," he says, and dives off the building.
He was almost certainly joking.
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Sighing, he slips his sunglasses into a breast pocket, and then steps out into space.
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"Nice, isn't it?" Raguel says as Crowley touches down beside him. It doesn't sound like a throwaway question.
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(There's a whisper of a breeze, stunned by their landing; unconsciously, or unselfconsciously, his tongue flickers out to taste it.)
It has been a very long time since Crowley was last out here. On each horizon, fading slowly with the light, the smudge of mountains. This is a crucible; dry, and immense.
"It's big," he murmurs finally, when the dust has settled.
It doesn't sound like a throwaway answer.
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"You'd have to go for miles to even come to a road. Pretty rare, this close to a city."
The bag settles on the ground with a disgruntled clank, and as he takes in the rest of the view his gaze lands on Crowley's pensive expression.
"You okay?"
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There are places - some like this, some not at all, and none for reasons that he can explain - that reach down into Crowley's hindbrain and push buttons that ought never have been there in the first place.
When he turns to Raguel, his eyes are very, very yellow.
"I'd forgotten how... impresssive it is."
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"Mm," he says, thoughtful. "Been a while since I was out here myself. Lately when I go it's been places farther east, but that's not quite the same."
There's usually a coyote with a motorcycle, for a start.
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"You have deserts ranked in order of preference?"
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"It's not preference, it's just different."
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"Joking," he murmurs. "I know from different."
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"I guess they don't look that different," he allows. "I used to come to this area a lot. Lately... not so much."
This doesn't seem to be particularly good or bad, but he looks thoughtful.
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"I used to come because it was away from people. Away from work, you know. Peaceful. I went because I needed to, but I guess I've found other places to do that."
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He sounds curiously sincere - moved to a more than usually mellow candour by the heat, by the sudden heady dose of it after the wet and cold of London winter.
(He's smiling, just a little, and at nothing in particular.)
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