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A light rain is falling onto the wastes of Jubilee; still falling, if indeed it has ever stopped. The ground is beyond saturated, colorless mud and desolation as far as the eye can see, and the rain only promises to intensify. A bleak horizon is broken only by a low, equally colorless fueling station nearly invisible in the murk.
Raguel stomps around in it, his shoes making schlock, schlock noises in the mud, and if he realizes it's raining he pays it no attention. He felt something: perhaps no more than the stirrings of a wildly overactive imagination, but this was oddly familiar. By long practice he's learned to sort the instinct from the white noise and confusion that clouds most of his mind, and Raguel has always trusted his instincts.
Raguel stomps around in it, his shoes making schlock, schlock noises in the mud, and if he realizes it's raining he pays it no attention. He felt something: perhaps no more than the stirrings of a wildly overactive imagination, but this was oddly familiar. By long practice he's learned to sort the instinct from the white noise and confusion that clouds most of his mind, and Raguel has always trusted his instincts.
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"Crowley," he says blankly, but a wide-eyed exhilaration is growing in his expression.
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Raguel's presence doesn't seem to have registered.
There are so many drops.
It tries to lift itself again, bowed and shaking under the rain.
It isn't silent, either; quietly, ever so, it's making the sound you make from deep in your belly when you don't even have the air to scream.
(There are so many drops. There are so many hundreds of thousands of tiny pinprick drops of water, falling down, there are so many )
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There's a whoomp of displaced air, and huge dark wings appear and block out most of the rain. They blend with the landscape so fully that it renders the two of them nearly invisible.
Raguel crouches down with infinite care, staring. His stunningly blue eyes are overbright.
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And then it's a minute, or nearly that, before the demon on the ground lets out a low moan of relief.
Its forehead is resting in the sticky, slippery mud, the effort gone from its shoulders (though the shaking isn't).
It doesn't look like it's about to try again.
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He could conjure up a blanket, but it would just get muddy.
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After eight long, wobbly breaths, Crowley - with considerable difficulty - rolls over onto his back. His hands leave imprints in the mud, but they don't last long.
It's not that he looks more himself, but rather less, as his body gently overlays his features with a semblance of humanity, weathering them into the sort of face that actually exists 'round these parts; the harsher jaw and angular hairline that say male, the tiny crooked tilt to his mouth, the faint blue tracery of veins beneath his eyes.
One ear is a quarter-inch higher than the other.
He's staring up at Raguel's wing, the one above his head, like he doesn't really see it.
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"Good to see you," he says conversationally. Or it might be conversational, if it were audible above the patter of rain on mud.
He doesn't want to look away; Crowley might not be there when he looks back. He touches the sleeve again, waiting.
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Crowley's gaze is still unfocused, a little wild and a lot dazed, but it slides slowly to one side and lands (or thereabouts) upon Raguel.
(There are so few colours here that, even out in the dark and the fog, Crowley has to narrow his eyes against the two blinding points of blue above him.)
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It's an awkward position that he's in, but it won't bother him unless he chooses to allow it. Crowley has remained where he is for long enough that Raguel is starting to suspect that he's not an illusion. His eyes roam just a little farther afield than Crowley's face.
Everything still checks out. The hope in his expression grows.
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But something's certainly got his attention, fraying as it is - and gradually, a few more thin scraps of reality manage to force their way through and begin to knit together. Visibly, between one moment and the next, Crowley stops looking through Raguel and starts looking at him.
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As it is, he makes sure that the raindrops won't land on Crowley and flops down in the mud next to him, head propped on one hand. He was wearing something dark and fairly snappy, now indistinguishable from the grey sludge covering the ground. He's still grinning like he can't stop doing it.
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(As though he has any reason to be surprised.)
His eyes slide shut again.
In, out. Might be easier not to, but he can't remember how.
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"This is Jubilee," he says after a while, remembering one rule. Obvious, but possibly not to the newly recorporated.
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He edges backward through the mud, which makes a squelching sound, and repeats the statement.
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He stares around, mercifully quietly, listening for any sound other than Crowley's harsh breathing.
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A gust of cold wind claws the thought clean out of his mind.
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He sinks into the mud once again, but sits still rather than lying down. Something is clearly wrong and Crowley's not able to tell him what it is. He waits, impatient.
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He's up on his elbows, so far steady in the treacherous mud.
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It's been a while, he thinks at random, but he's not quite sure how long. He frowns and watches, silently buffering the air behind Crowley in case of a slip.
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A shudder runs through him. A twitch, like he'd meant to move a certain way, and then hadn't.
Finally, he's sitting.
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"Looking better," he pronounces, by which he probably means 'alive' and 'human.'
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"Y-" he starts to say, and then realises very, very quickly why this isn't a good idea.
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The poisonous glare he counts as an improvement, though; it's unfortunately familiar enough that he takes it as proof that it's actually Crowley in front of him rather than as anything else.
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His stomach heaves, and he leans forward in a dry retch.
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"Nothing in there," he points out, nodding toward Crowley's stomach with a worried expression.
"I could," he adds, reaching a hand forward and making a twirly gesture, "but you should stop, if you can."
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The rain falls, but not on them.
Face grey, Crowley looks up at last. And after a long moment, manages an indistinct, "When."
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"Around a year ago," he says at last, slowly.
And given Aziraphael's reaction, perhaps he should wait a bit to talk about Lizzie.
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Like a high, clear note, something wavers in Crowley's expression, and he says, "Is - ?"
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"Well. Angel's fine. Think most of the ones you kept up with are fine. And I'm always fine," he finishes proudly, though Crowley had not precisely asked.
They've gone through this sequence of questions before; it's not hard, somehow, to remember his lines.
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He tries to think, but he can't.
No great surprises here, either: when Raguel finally looks back around, the first thing Crowley does is reach out a hand to be pulled to his feet.
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He obliges by rising out of his crouch, though, and reaching carefully for Crowley's outstretched hand.
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But he's been gone a year.
(He tries to let his mind only skirt around the edges of it: he's been gone a year.)
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"Persephone?" he asks, as though there was any question there.
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But there will be.
When he manages to filter the meaning of Raguel's question through the noise of it, Crowley looks back at him and nods.
(That's another formality, and they both know that, too.)
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"Can rest at the station till the ship comes. Rest out here, too, just. Wet." He gestures at the low blanket of unmoving clouds.
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Crowley's fingers end up leaving bruises on Raguel's shoulder, but they don't last.
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"We're leaving tomorrow," Raguel explains as they pass a calendar mounted on a board of messy bulletins.
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The light in the corridor flickers tiredly, but the room is dark, and passes for quiet. The chair in the corner isn't the most uncomfortable Crowley's ever sat in, and for the moment, that'll do. He's holding himself carefully enough that it doesn't much matter.
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"I'll call you when the ship comes. Not a good place to sleep, on board; it was bumpy."
And loud and dirty and hardly spacious enough to carry anyone. But out here, you take what you can get.
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He's been gone for a year.
Out here, you take what you can get.